So, carrying on from the last one in a way.
Another sound made by sending an outboard synth through some heavy DSP type things. Different out come though.
This time I was playing with the Monotron. For some reason I really like noodling with it. I think the fact that it has such a simple interface, and immediate too, makes it a real joy to just mess about with! The sound is great, if it's the type of sound you're after, but not today!
I thought it would be fun to try out making some dark drone and ambient effects with it. In a way, I had in mind the idea of real time sound tracking almost. As I said, the interface is incredibly immediate, so it would be cool to alter the sound enough to make it suitable for some real dark thriller sound track and be able to play along to the visuals. I think with a bit of practice it could be surprisingly effective.
The Monotron is running into Reaktor, and straight into a Spectral resynthesis patch I built. This straight away has a massive affect on the tone. Really lush over tones and weird harmonics. With the LFO on the monotron going at full whack, and the resonance right up you get some really out there tones!
After that it's just a big old reverb patch from the Space Designer instrument, still one of my favourites! Then I just hit records and started tweaking. Most satisfying was quickly flicking the cutoff down to get a hit out of the resonance. Nice big Spectral twang!!
MONOTRON-DRONE by Noisy Neighbour Sound
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